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How to get to Sössen (Sachsen-Anhalt) Hotel Sössen (Sachsen-Anhalt)

Photos of Sössen, Sachsen-Anhalt

photos found. 75. Photos on the current page: 15
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The King
The King
  • Author: Djeff Costello Follow on flickr foto flickr
  • Date of photography: 2018-06-03 09:30:11
  • Geographical coordinates of the taken: 51°15'54"N - 12°9'8"O
  • Schwedenkönig Gustav II. Adolf. - Die Büste befindet sich in der Gustav-Adolf-Gedenkstätte in Lützen, dort wo er im Dreissigjährigen Krieg 1632 im Kampf starb.
  • License*: All Rights Reserved - photo in flikr foto flickr
    *The photographs are copyrighted by their respective owners.
Friedrich Nietzsche TudioJepegii
Friedrich Nietzsche TudioJepegii
  • Author: TudioJepegii Follow on flickr foto flickr
  • Date of photography: 2019-03-24 02:52:56
  • Geographical coordinates of the taken: 51°14'26"N - 12°7'0"O
  • Friedrich Wilhelm Nietzsche German: October 1844 – 25 August 1900) was a German philosopher, cultural critic, composer, poet, philologist, and Latin and Greek scholar whose work has exerted a profound influence on Western philosophy and modern intellectual history. He began his career as a classical philologist before turning to philosophy. He became the youngest ever to hold the Chair of Classical Philology at the University of Basel in 1869 at the age of 24. Nietzsche resigned in 1879 due to health problems that plagued him most of his life; he completed much of his core writing in the following decade. In 1889 at age 44, he suffered a collapse and afterward, a complete loss of his mental faculties. He lived his remaining years in the care of his mother until her death in 1897 and then with his sister Elisabeth Förster-Nietzsche. Nietzsche died in 1900. Nietzsche's body of work touched a wide range of topics, including art, philology, history, religion, tragedy, culture, and science. His writing spans philosophical polemics, poetry, cultural criticism and fiction while displaying a fondness for aphorism and irony. His early inspiration was drawn from figures such as Arthur Schopenhauer, Richard Wagner and Johann Wolfgang von Goethe. Prominent elements of his philosophy include his radical critique of truth in favor of perspectivism; his genealogical critique of religion and Christian morality and his related theory of master–slave morality; his aesthetic affirmation of existence in response to the "death of God" and the profound crisis of nihilism; his notion of the Apollonian and Dionysian; and his characterization of the human subject as the expression of competing wills, collectively understood as the will to power. He also developed influential concepts such as the Übermensch and the doctrine of eternal return. In his later work, he became increasingly preoccupied with the creative powers of the individual to overcome social, cultural and moral contexts in pursuit of new values and aesthetic health. After his death, his sister Elisabeth became the curator and editor of Nietzsche's manuscripts, reworking his unpublished writings to fit her own German nationalist ideology while often contradicting or obfuscating Nietzsche's stated opinions, which were explicitly opposed to antisemitism and nationalism. Through her published editions, Nietzsche's work became associated with fascism and Nazism; 20th century scholars contested this interpretation of his work and corrected editions of his writings were soon made available. Nietzsche's thought enjoyed renewed popularity in the 1960s and his ideas have since had a profound impact on 20th and early-21st century thinkers across philosophy—especially in schools of continental philosophy such as existentialism, postmodernism and post-structuralism—as well as art, literature, psychology, politics and popular culture. Nietzsche grew up in the small town of Röcken, near Leipzig, in the Prussian Province of Saxony. He was named after King Friedrich Wilhelm IV of Prussia, who turned 49 on the day of Nietzsche's birth (Nietzsche later dropped his middle name Wilhelm). Nietzsche's parents, Carl Ludwig Nietzsche (1813–1849), a Lutheran pastor and former teacher; and Franziska Nietzsche [de] (née Oehler) (1826–1897), married in 1843, the year before their son's birth. They had two other children: a daughter, Elisabeth Förster-Nietzsche, born in 1846; and a second son, Ludwig Joseph, born in 1848. Nietzsche's father died from a brain ailment in 1849; Ludwig Joseph died six months later at age two. The family then moved to Naumburg, where they lived with Nietzsche's maternal grandmother and his father's two unmarried sisters. After the death of Nietzsche's grandmother in 1856, the family moved into their own house, now Nietzsche-Haus, a museum and Nietzsche study centre. Artwork by TudioJepegii
  • License*: All Rights Reserved - photo in flikr foto flickr
    *The photographs are copyrighted by their respective owners.
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Hotel Sössen
Car Freitag
Car Freitag
  • Author: tinto Follow on flickr foto flickr
  • Date of photography: 2016-09-30 15:35:31
  • Geographical coordinates of the taken: 51°16'5"N - 12°9'25"O
  • Website: tinto|graphy // instagram: @tintography
  • License*: Attribution-NonCommercial License - photo in flikr foto flickr
    *The photographs are copyrighted by their respective owners.
Houses of the Holy
Houses of the Holy
  • Author: tinto Follow on flickr foto flickr
  • Date of photography: 2016-09-30 14:25:36
  • Geographical coordinates of the taken: 51°16'5"N - 12°9'25"O
  • Website: tinto|graphy // instagram: @tintography
  • License*: Attribution-NonCommercial License - photo in flikr foto flickr
    *The photographs are copyrighted by their respective owners.
Car Freitag
Car Freitag
  • Author: tinto Follow on flickr foto flickr
  • Date of photography: 2016-09-30 15:35:19
  • Geographical coordinates of the taken: 51°16'5"N - 12°9'25"O
  • Website: tinto|graphy // instagram: @tintography
  • License*: Attribution-NonCommercial License - photo in flikr foto flickr
    *The photographs are copyrighted by their respective owners.
Houses of the Holy
Houses of the Holy
  • Author: tinto Follow on flickr foto flickr
  • Date of photography: 2016-09-30 14:24:59
  • Geographical coordinates of the taken: 51°16'5"N - 12°9'25"O
  • Website: tinto|graphy // instagram: @tintography
  • License*: Attribution-NonCommercial License - photo in flikr foto flickr
    *The photographs are copyrighted by their respective owners.
166
166
  • Author: christophDBWE Follow on flickr foto flickr
  • Date of photography: 2019-07-15 23:03:19
  • Geographical coordinates of the taken: 51°15'30"N - 12°8'45"O
  • Die Schlacht bei Lützen den 2.May [1813]
  • License*: All Rights Reserved - photo in flikr foto flickr
    *The photographs are copyrighted by their respective owners.
  • Author: giesing Follow on flickr foto flickr
  • Date of photography: 2017-10-30 15:47:01
  • Geographical coordinates of the taken: 51°15'19"N - 12°8'28"O
  • License*: All Rights Reserved - photo in flikr foto flickr
    *The photographs are copyrighted by their respective owners.
Houses of the Holy
Houses of the Holy
  • Author: tinto Follow on flickr foto flickr
  • Date of photography: 2016-09-30 14:13:20
  • Geographical coordinates of the taken: 51°16'5"N - 12°9'25"O
  • Website: tinto|graphy // instagram: @tintography
  • License*: Attribution-NonCommercial License - photo in flikr foto flickr
    *The photographs are copyrighted by their respective owners.
Röcken, verlassenes Industriegebäude
Röcken, verlassenes Industriegebäude
  • Author: ZaglFoto.de Follow on flickr foto flickr
  • Date of photography: 2015-05-13 13:32:04
  • Geographical coordinates of the taken: 51°14'18"N - 12°6'27"O
  • Ehemalige Kieswasch- und Kohlebeschickungsanlage
  • License*: All Rights Reserved - photo in flikr foto flickr
    *The photographs are copyrighted by their respective owners.
काम
काम
  • Author: Elena Regina Follow on flickr foto flickr
  • Date of photography: 1844-10-15 21:00:00
  • Geographical coordinates of the taken: 51°14'29"N - 12°6'58"O
  • F.W. Nietzsche 1888: NF1888G14[120] (pp.89-90). Si vuole la prova più stupefacente di fino a qual segno giunga la forza trasfigurante dell'ebbrezza? Questa prova è l'"amore", ciò che si chiama amore in tutte le parlate e le silenziosita di questo mondo. L'ebbrezza si sbarazza qui della realtà, in modo tale che nella coscienza dell'amante la causa sembra spenta e qualcosa d'altro sembra trovarsi al suo posto — un tremolare e brillare di tutti gli specchi magici di Circe. In ciò uomo o bestia non fanno differenza; ancor meno l'intelligenza, la bontà, la probità. Si viene sottilmente turlupinati se si è sottili, si viene grossolanamente turlupinati se si è grossolani. Ma l'amore, perfino l'amore di Dio, dei santi, delle "anime redente", rimane nella radice uno e identico: una febbre che ha i suoi buoni motivi per trasfigurarsi, un'ebbrezza che fa bene a mentire su se stessa. E in ogni caso si mente bene, quando si ama, di fronte a se stessi e sopra a se stessi: si appare a se stessi trasfigurati, più forti, più ricchi, più perfetti, si è più perfetti. Troviamo qui l'arte come suprema funzione organica; la troviamo riposta nell'istinto più angelico della vita; la troviamo come massimo stimolante della vita — arte quindi come sublimemente funzionale anche nel suo mentire. Ma erreremmo se ci fermassimo alla sua forza di mentire: essa fa più che meramente immaginare: sposta i valori stessi. E non è solo che sposti il sentimento dei valori. Chi ama ha più valore, è più forte. Negli animali questo stato fa nascere nuovi elementi materiali: pigmenti, colori, forme, soprattutto nuovi movimenti, nuovi ritmi, nuovi canti di richiamo, nuove seduzioni. Non diversamente avviene nell'uomo. Tutta la sua economia è più fiorente che mai, più potente, più intera che in chi non ama. Chi ama diventa dilapidatore: è abbastanza ricco per farlo. Ora osa, diventa avventuroso, un asino di magnanimità e di innocenza; crede nuovamente in Dio e nella virtù, perché crede nell'amore. E d'altra parte a quest'idiota della felicità spuntano ali e nuove capacità, ed anche gli si apre la porta sull'arte. Se dalla lirica in suoni e parole togliamo la suggestione di questa febbre intestinale, che cosa resta della lirica e della musica? L’art pour l’art ¹ forse: il virtuoso gracidare di rane che disperano nel gelo della loro palude. Tutto il resto l'aveva creato l'amore. 1. (p.463) Cfr. V. Cousin 1818; F.W. Nietzsche 1888: GD10,24.
  • License*: Public Domain Mark - photo in flikr foto flickr
    *The photographs are copyrighted by their respective owners.
Röcken, "Das Röckener Bacchanal"
Röcken,
  • Author: ZaglFoto.de Follow on flickr foto flickr
  • Date of photography: 2015-05-13 13:14:11
  • Geographical coordinates of the taken: 51°14'30"N - 12°6'58"O
  • Röcken, Geburtshaus F.N. / nahe Grabstelle F.N. - Denkmal für Friedrich Nietzsche "Das Röckener Bacchanal" von Klaus-Friedrich Messerschmidt (2000, Bronze/lackiert)
  • License*: All Rights Reserved - photo in flikr foto flickr
    *The photographs are copyrighted by their respective owners.
Röcken, "Das Röckener Bacchanal"
Röcken,
  • Author: ZaglFoto.de Follow on flickr foto flickr
  • Date of photography: 2015-05-13 13:14:51
  • Geographical coordinates of the taken: 51°14'30"N - 12°6'58"O
  • Röcken, Geburtshaus F.N. / nahe Grabstelle F.N. - Denkmal für Friedrich Nietzsche "Das Röckener Bacchanal" von Klaus-Friedrich Messerschmidt (2000, Bronze/lackiert)
  • License*: All Rights Reserved - photo in flikr foto flickr
    *The photographs are copyrighted by their respective owners.
Röcken, "Das Röckener Bacchanal"
Röcken,
  • Author: ZaglFoto.de Follow on flickr foto flickr
  • Date of photography: 2015-05-13 13:15:24
  • Geographical coordinates of the taken: 51°14'30"N - 12°6'58"O
  • Röcken, Geburtshaus F.N. / nahe Grabstelle F.N. - Denkmal für Friedrich Nietzsche "Das Röckener Bacchanal" von Klaus-Friedrich Messerschmidt (2000, Bronze/lackiert)
  • License*: All Rights Reserved - photo in flikr foto flickr
    *The photographs are copyrighted by their respective owners.
Röcken, "Das Röckener Bacchanal"
Röcken,
  • Author: ZaglFoto.de Follow on flickr foto flickr
  • Date of photography: 2015-05-13 13:16:04
  • Geographical coordinates of the taken: 51°14'30"N - 12°6'58"O
  • Röcken, Geburtshaus F.N. / nahe Grabstelle F.N. - Denkmal für Friedrich Nietzsche "Das Röckener Bacchanal" von Klaus-Friedrich Messerschmidt (2000, Bronze/lackiert)
  • License*: All Rights Reserved - photo in flikr foto flickr
    *The photographs are copyrighted by their respective owners.
photos found. 75. Photos on the current page: 15
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